January has found me busy with more practice research and creating more work and gaining further insight into my #iceform project. This project is far from over and each session of making and experimentation throws out new ways of harnessing elemental and material processes. The work is extremely photogenic and the #iceform aesthetics and visual appearance have started to make impact. Having sold prints of various pieces of work through exhibiting and my online presence I plan to generate more selective prints and have them to purchase on my website. (see my shop).
My work has been recognised by Doctor Catriona McAra, the curator of Leeds Arts University, and a selection of prints will be exhibited in the Board Room of the University during February www.leeds-art.ac.uk/news-events/events-exhibitions/carol-sowden-elemental-harnessing/ This is a real honour and I am especially pleased that some of the work will be hung in such an important space.
The weather has had a big influence on my work. The short dark days of winter has led me to photographing work in a dark space highlighting the forms with LED lighting. This has created some beautifully sensitive and provocative work.
The onslaught of the winter weather has also given me a small opportunity to photograph the iceforms in the snow. The window of opportunity is very short; as soon as it snows it has invariably disappeared over a few hours.
I have also become more interested in the timings of freezing, the shorter the time within a frozen environment the more fragile and delicate the work is. Visually frost marks and fissures create the most beautiful structures but remain for such a short period, they are fragile and delicate to hold and touch in my hands and I love the tension of physicality this presents to me. The challenge to place within an area for photographing and the need to photograph before the form melts focuses me. I work with speed so I am able to get shots taken before the piece melts!